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(1984) originally for Voice and Tape, I dumped the voice-part and kept the tape. Musique Concrête, created with a tape machine that was on a long loop, the erase-head was disabled (thanks to my good friend Karl Fusaris), and the only source of sound was two wine-glasses being rubbed and clinked. Manipulating the loop/reel speeds during recording, as well as playing around with tape saturation is how I got the sounds you hear. This piece was later used in another work digitally (“We, the Ratatatats...”). In one movement, no score. [4'00]

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from Electronic Music vol. 2, released February 20, 2018

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Istvan Peter B'Racz image

Istvan Peter B'Racz Connecticut

To all who drift
through this sonic-space

be it by fate or the
element of chance:

I sincerely WELCOME you

and give THANKS!

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